Glen Goei’s second film, in many years since much-loved “Forever Fever”, hides dramatic, performance and tonal flaws under the gorgeous façade of the Blue Mansion. Awkwardly shifting between comedy and Serious Drama, the script does not realise the comic potential of the premise when the death of Wee Bak Chuan reunites the family at the patriarch’s funeral. Also, expected familial secrets and lies are not revealed to the appropriate characters for maximum dramatic (or comic) effect, leaving much satisfaction to be desired. The giving of the story’s biggest revelation to an already deceased character seems futile, and is made a fatal mistake when it has practically no effect on the living, leaving me wondering, truly, why should I care for these characters? The final nail in the coffin is the distractingly bad intonation of the dialogue. Why does everyone end on a higher tone for every sentence? No excuses of “oh, it’s a theatrical put-on”, please. “The Blue Mansion” is architecture built on sand.